Redesign of the Mexican classic Pedro Páramo by Juan Rulfo. This novel merges the world of the living and the dead. It has no chapters, but rather narrative fragments of varying lengths, from seven lines to several pages, which, in the original manuscript, were separated by blank lines.

The entire design is based on the author's creative process: "He wrote by hand, with a Sheaffer fountain pen and green ink. He would leave paragraphs unfinished so he could leave a trace or find the thread of his thoughts the next day." Thus, the color green became the central element, turning the entire book green.